The Restoration Trust to receive £33,100 from third round of the Government’s Culture Recovery Fund

“Thanks to the Culture Recovery Fund, we’ve been able to grow our services and make them fit for the future. This award means especially that we can invest in social prescribing initiatives that use Norfolk and Waveney’s amazing cultural assets for mental health and community connection.”

Director, Laura Drysdale

The Restoration Trust has received a grant of £33,100 from the Government’s latest round of the Culture Recovery Fund to help the organisation recover from the impact of the Covid pandemic.

Hundreds of arts, heritage and cultural organisations across England will receive a share of £107 million from the additional £300 million announced by the Chancellor at March’s budget for the Culture Recovery Fund, bringing the total cash support package made available for culture during the pandemic to close to £2 billion.

This award will enable us to grow our support for people living with mental health problems to enjoy heritage and creativity to improve their mental health and community connections.

Culture Secretary Nadine Dorries said:

“Culture is for everyone and should therefore be accessible to everyone, no matter who they are and where they’re from.  Through unprecedented government financial support, the Culture Recovery Fund is supporting arts and cultural organisations so they can continue to bring culture to communities the length and breadth of the country, supporting jobs, boosting local economies and inspiring people.”

The latest awards will continue to safeguard our most precious heritage and regional museums across the UK.

Ros Kerslake, Chief Executive, National Lottery Heritage Fund, said:

“This latest round of the Culture Recovery Fund for Heritage has provided much-needed further support for Heritage sites, attractions and organisations as they move forward with their exciting plans to engage, entertain and educate us all.  The UK’s heritage has faced unprecedented times, and investing in the Heritage sector remains vitally important to driving tourism, supporting our wellbeing and making our towns, cities, and rural areas better places to live.”

Today’s announcement follows the second round of the Heritage Stimulus Fund – part of the Culture Recovery Fund – delivered by Historic England. Supporting 142 locations with a total of £35 million, historic sites will benefit from an injection of cash for vital repairs and major restoration work.

Duncan Wilson, Chief Executive, Historic England said:

“The Culture Recovery Fund for Heritage schemes and the Heritage Stimulus Fund administered by Historic England continue to provide essential support for heritage and the arts across the country. The latest recipients indicate the breadth of organisations that are being saved as we emerge from the effects of COVID on our sector.”

The Restoration Trust’s Creatively Minded and Heritage report published today

“I’d recommend it wholeheartedly, even if you’re only a little bit interested I mean in any sort of history, then yes. All I can focus on is, it’s just giving me back my imagination.” Dr Hill’s Casebook, a Restoration Trust project 

You can download the PDF by clicking HERE.

Today a new report by The Restoration Trust, Creatively Minded and Heritage, is being published by the Baring Foundation.

The report provides an overview, through 18 case studies, of how heritage and arts organisations are drawing on a wide range of heritage assets and art forms to support people’s mental health and promote community connections.

Creatively Minded and Heritage includes examples of organisations across the UK working with people with mental health problems from the fields of archaeology, local history, natural and historic environments and a particularly rich seam of work in archives, often working with people with experience of mental health problems to explore the stories of patients who were unable to tell their own.

Laura Drysdale, Director of the Restoration Trust says:

“Heritage brings such significant added value for creativity and mental health programmes that it should be a core resource for people looking for mental health treatments, and for heritage, creativity and mental health professionals developing cross-sectoral social prescribing programmes.

It makes sense to marry a mental health system where demand is overwhelming supply, with heritage assets where there is a plentiful supply.”

The report calls for:

  • heritage organisations to ask themselves how they could use their places, people and collections to deliver more brilliant mental health and creativity projects
  • heritage and creativity projects to be widely available as a mental health prescription and for heritage/creative providers to be paid
  • universities to continue progress in collaboration and research that meets cross-sectoral needs; and
  • funders and national organisations to fund flexibly, share best practice and urge others including the Government to see heritage as a mental health asset.

This is the latest in the Baring Foundation’s Creatively Minded series which explores different areas of arts and mental health activity in the UK.

We will be holding a short launch for the report on 23 November at 3pm online. You can register here.

“I’d recommend it wholeheartedly, even if you’re only a little bit interested I mean in any sort of history, then yes. All I can focus on is, it’s just giving me back my imagination.” Dr Hill’s Casebook, a Restoration Trust project

“Why should the people who’ve never visited a land be that country’s prime historians? I think any mental health archive is incomplete until those who have been labelled ‘mad’ tell their side.” Dolly Sen, Artist and Activist, who has been working with the Wellcome Collection’s mental health archives. “All those years of thinking about this place as a landscape I had to navigate my way through in fear, that was causing me harm, has now changed, I now see the beauty of the border landscapes, I am more at ease within myself.” Jim, a veteran with PTSD from serving during The Troubles in Northern Ireland who took part in Belfast Exposed’s therapeutic photography and archive project.